I love Pappy’s comics blog — one of the best in the biz! And I love the treasure trove of stuff he unearths and shares; with or without knowing it, he has curated one of the best short histories of Latina/o representation available on the net! A grand tip of the sombrero to Pappy!
Here’s his latest find!
With all the press he is getting, you would think that Pendejo-of-the-Century Donald Trump had invented all the twisted tales of Mexicans floating on the interwebs.
But our pasty-faced, combover fatboy is not the first and not the last of the foolios who will get rich (and famous) for spouting hate-laced bon mots on the hygiene, sexual practices, and criminality of Mexicans or any other Latina/o for that matter.
Here, in some graphics from the 30s, we see some early 20th Century meditations on Latina/o/Hispanic subjectivities from the pages of Argosy Weekly.
As you can see, pulp magazine editors and illustrators were not ethnographers and whether the subjects depicted are Spanish, Argentine, or Mexican (or Italian — Sylvester Stallone?) is impossible to determine — though I am pretty sure the Buzzard Bait issue features some prehistoric Califas bandidos, and Señor Flatfoot’s “pampas” rogues look like they stepped out of the Mexico conjured in John Huston’s The Treasure of the Sierra Madre (which had not been made yet! Time travelers?)
Uh. Yikes. Yikes yikes yikes.
By now you’re probably familiar with our latest racist media frenzy centered on remarks Kelly Osbourne made on The View, a response to the incredibly racist Donald Trump.
But she sounded just as racist.
A frightening teen girl in a bikini terrorizes the police force of a small Texas suburb, making them respond with excessive force and brutality reserved only for the worst of America’s swimming thugs!
Who will protect our nation’s pool parties from this monster? Rated R for Racist!
Featuring Emma Stone as the Asian Neighbor.
Bootleg video of a South Park scene (it looks to be cellphone video of a TV screen) shows Cartman’s presentation for the Latino Endowment Committee, featuring special guest star Jennifer Lopez, who eats tacos y burritos, even though she is Puerto Rican. The actual, official clip is here, but for some reason they don’t allow embedding, so neener.
You’re passionate, Mr. and/or Ms. Hispanic, and emotional. You like stories, and web video stories under one minute long especially. Do we have some stories for you! Also tacos, which all Hispanics love, futbol ditto, and la musica, piñatas and burros tambien. HEY! WHAT ABOUT SPICY?
I had to post this after reading that the actors who walked off Adam Sandler’s Ridiculous Six set get tagged as heroes and those who stayed, like me, get belittled.
My photograph (above) shows two of the men who walked off and the lady who stayed. They’re discussing the film’s infamous script, just after they talked to one of the assistant directors about the script.
PREVIOUSLY: Why I didn’t walk off Adam Sandler’s Ridiculous Six set
Just before he leaves, the man on the right attempts to gather as many of the 100-plus extras into a holding tent like the one pictured (below).
I am a Native who worked as an extra on the set of Adam Sandler’s Ridiculous Six movie. I didn’t walk off and here’s why.
If you’ve got to dance to keep from cryin’ — well then, dance to I’m an Indian, too! by the 1491s. All the kool kids are doing it!
Careful listeners will note actual Native Americans cracking jokes with stereotypical Indian names like “Running Nose,” the same jokes that offended the sensitive extras on Adam Sandler’s Ridiculous Six movie set.
“If you want an accurate picture of ethnic and gender diversity in the United States, don’t look to Hollywood,” says NPR.
That’s the conclusion of the “2015 Hollywood Diversity Report” conducted by the Ralph J. Bunche Center for African American Studies at UCLA.
The report quantifies the striking — if not surprising — racial and gender imbalances in film and television, both behind and in front of the camera, by comparing the representation of minorities to their actual proportions of the population.
“At every level, in every arena, women and minorities are under-represented in the industry,” says Darnell Hunt, the study’s co-author and director of the Bunche Center. “And the only question really is how serious, how egregious that level of under-representation is.”
PREVIOUSLY ON RAMIRO GOES TO THE OSCARS:
What exactly is life like for white Americans in America? Eddie Murphy went undercover to find out.
PREVIOUSLY ON WHITE LIFE:
Coconut Madrigal (white inside, brown outside) knew turning an intensely personal journey into a docu-comedy wouldn’t be one easy trick, but he never anticipated what happened next.
“I set out to dial down my pocho level from a ten to a five,” he told POCHO in a text message Tuesday night, “and ultimately something much greater and unexpected happened. I ended up not giving a shit.”
“I encourage others to try it, feels great.”
Al got some help from three mostly-reliable sources:
The late Chicano musical pioneer Lalo Guerrero called out Hollywood on its racist casting practices on last century’s Culture Clash TV show. Culture Clash, however, is still around 🙂 but so is racist casting. 🙁
Our favorite Lalo Guerrero song is Chucos Suaves:
Me llamo el Señor Chang y seré su profesor de español en este semestre.
In case you missed it, here is Tony Montana’s acceptance speech from last night’s Emmy Awards.
(PNS reporting from ANCHORAGE, AK) Some they call him Joe, some they call him Doh! but one group of Alaska voters is 100% behind Joe Miller, the Tea Party-affiliated candidate who is seeking a United States Senate nomination.
“His campaign mailer (click on photo to enlarge) convinced us that Miller will do a great job keeping the thriving Latino community of Alaska in check,” read a press release issued Thursday by Cecilia Jones, the president of National Organization for Minorities, Advertisements, Media Exposure and Symbolism. “And that especially goes for your drug-dealing border-crossing tat-wearing illegal alien Democrat voters!”